Original Power Of Fabric Design

Fabric pattern design and fabric separation are also a major trend in fabric design.

Only when there is a textile and clothing product that truly belongs to its own culture, can we say that we have established our own textile culture value system.

Du Yuzhou, President of the China Textile Industry Association, said: "product design is the most dynamic and challenging factor for textile innovation. The product design process includes the establishment of goals, the selection and development of materials, the skillful application of processing methods and technology, the keen perception of fashion change, the explosive force of inspiration, and the persistent pursuit of products, and ultimately, it depends on the creative ability of designers."

To pform from a big textile country into a modern textile power, we must reverse this situation. One of the important signs to create our own international brand is the ability to innovate in the world.

Abnormal design thinking mode

Professor Dali Li, a professor of dyeing and weaving at Guangzhou Acmdemy of Fine Arts, said in an interview with reporters that producing good textiles must combine perfectly with science and technology and art design, and establish the value system of China's own textile art design.

As the teaching of textile design, the most important thing is to lay a foundation for students' lifelong art design development and help students establish the correct way of thinking.

Products must have something new to attract customers' attention.

This is caused by the latent internal needs of human beings, which are new and old, which are human beings who are rational animals and always "humanization" their natural sensibility.

While constantly creating material civilization, mankind is also constantly enriching and perfecting its own mind and understanding itself.

Professor Qin thinks that the design of fabrics originates from art and is closely related to artistic creation.

The whole color and its form of expression are visually entered into the human brain archiving system. If this symbol exists in the idealized Library of people accustomed to it, it will not cause great interest and sense of impact.

Of course, for art, "art" is an exception to the "grandstanding".

Designers are to make design changes simpler, more direct and sweeter, and do not let those doctrines fallacy disturb the line of sight.

The beauty of design is to return to expressing nature and following the laws of nature.

It is natural for human beings to be "happy and old". In order to express their characteristics, the anti normal design thinking mode extended is a natural and inevitable reflection.

Professor Qin gradually formed his own specific design methods and teaching methods, putting the anti normal way of grace in the first place in creation and teaching.

In 2002, sponsored by the China Textile Industry Association, the China Textile Information Center / the national textile product development center and the China Fashion Color Association hosted the "China textile fabrics and pattern contest" in 2002, his students won many awards such as the gold award of the "pattern group" and the best color Creativity Award.

The teacher said that when the students took part in the competition, they were just taking the pills.

The students who won the gold prize and the best prize were just designed to follow this anti normal mode of thinking.

In this course, some subjects are part of a tentative experiment. The content requires: material and means of expression must be abnormal. Instead of flowers, landscapes, animals and other common materials, the abstract symbols, irregular points, lines and surfaces are used to create skin texture patterns with artistic charm, and require these figures to pmit cultural connotations, so as to avoid falling into the abyss of simple collection.

In structural pursuit of simple and clear effect, appropriate blanks give people a relaxed and simple feeling; in the form of expression, they pursue a simple and vivid form method, but the inner shape requires that each color block cannot be painted as before. Under the premise of the same color of the large blocks, each place must have a change, refuse to be rigid, and encourage the use of unique skill and artistic expression.

Only using traditional expression techniques will make people feel monotonous.

So using this unique texture technique is simple and rich.

In fact, this is also the latest expression of international textile fabrics, and is the development of modern printing technology.

The formation of these forms of expression is inseparable from the concern for the environment in modern art, the importance of natural arts and humanities. Students can learn something valuable and alive from them, and combine our original patterns with modern art.

Separation from manufacturing

Professor Qin thinks that the role of design in the pformation from a large textile country to a modern textile power is a long way to go.

In the final analysis, creativity is the most important thing in design.

At present, the plagiarism of our various design industries has been quite serious.

The design of fabric is no more than others. If other plagiarism is slightly modified, it can be changed.

Professor Tan laughs, your factory has produced a new and beautiful fabric. Other manufacturers do not copy it. They are not willing to buy it.

But Professor Qin also solemnly pointed out that in order to establish our country's own textile cultural value system, we must stop plagiarism and innovate constantly. We must not blindly follow the West and cater to the west if we want to innovate. We should not only learn from them, but also learn from them.

Only when there is a textile and clothing product that truly belongs to its own culture, can we say that we have established our own textile culture value system.

Professor Qin also believes that the design and manufacture of fabrics are inseparable from the past, but these fabric manufacturers are often in the remote suburbs. Nowadays, it is hard for the students to set foot in their hearts and take root in the enterprise to explore the creative potential of fabric design.

But now, more and more fabric design studios appear in big cities, which makes Professor Qin feel that China's fabric design is on the road of internationalization, and the fabric design is going to be formal.

It is just like the relationship between design institutes and contractors in the construction industry.

With the development of society and the division of social division of labor, the separation of design and manufacturing becomes feasible. In the past, some large fabric manufacturers will gradually develop and pform in this direction.