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"Dangerous Relationship" Cecilia Cheung Dozens Of Luxurious Fashion Models Reproduce Shanghai Legendary Woman

2012/8/6 9:50:00 257

Fashion ModelingCecilia CheungFur


Cecilia Cheung fur modeling


The great love affair plot "dangerous relationship", which was built by China media 200 million, was exposed last week after the exposure of Jang Dong Gun's picture of the groom, and this week revealed Cecilia Cheung's famous actor.

The group's stills are the scene of mojieyu attending the celebrities gathering to go to the theater.

Mojieyu arrived at the theater by luxury car, and gracefully leaned off the bus.



Cecilia Cheung Yong Ronghuagui


  

Dozens of luxury models reproduce Shanghai legendary women


In the exposure of the "dangerous relationship", Cecilia Cheung is wearing a thousand pieces of stereo drill and sequins. The fur shawls on his shoulders are luxurious, plus the purple embroidery of hand-made embroidery.

In the film, Cecilia Cheung plays the role of Mogao Jieyu, an aristocratic living in the upper class.

clothing

There are ten kinds of modeling, and they are all very particular about them. Only this exposure of luxurious fur patterns shows the excellent temperament of the old Shanghai elite in the 30s.



Cecilia Cheung's delicate makeup


According to Li Qing, a famous costumes designer, Cecilia Cheung played the role of Mo Jieyu, who was very successful in his career and was a successful businesswoman. He was a woman industrialist who was shocked by Shanghai.

Mojieyu's design concept is based on bright colors, fine texture, luxurious and fashionable style, in line with the background of the age, but also in line with mojieyu's warm character and beyond the bondage of the age.

Although the fur shawl is only a small role in the fur world in terms of its size, its role can not be underestimated. The gorgeous cheongsam can create the elegance of Mo Jieyu, and there is no heavy feeling of fur coat.

Cheongsam itself can embody the feminine charm and beauty. In order to highlight the identity and status of mojieyu, her cheongsam must be different.

At first, I tried to make this cheongsam with all kinds of fabrics. I also tried to set up various beads and sequins on cheongsam.

But I always feel a little lacking.

After discussing with the director and producer, I decided to use the crystal of SWAROVSKI with high brightness for manual mosaic to achieve the best shooting effect.

Only thousands of crystal hand inlays on cheongsam have been used for more than 1 weeks, and the pition from the fine neckline to the lower part of the cheongsam has added a sense of fashion and aristocracy to the cheongsam.

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Fifty million, the beauty of dance is only to restore the brilliance of "Oriental Paris".



Cecilia Cheung gets off gracefully.


According to Chen Weiming, chairman of the China media and film producer, the whole movie costume, jewelry, props and scenes were invested about 50000000 yuan, of which clothing production and scene construction accounted for the largest part.

Every star in the movie has dozens of costumes. The whole play has hundreds of sets and jewelry has thousands of sets.

The handbags used by all women in the film came from a Swiss luxury brand.


The producer and director Xu Qinhao are very demanding on every scene, props, clothing and accessories in the movie without any details.

Several heroes in the movie have returned to Shanghai after studying abroad, so their clothing design is based on absorbing the characteristics of European clothing and adding Chinese characteristics to highlight the identity of several protagonists.

At the same time, fashion designers also include some modern fashion elements in the costume design of actors. The purpose is to make male and female characters match the aesthetic concept of the mainstream audience of films, young people.



Cecilia Cheung sing


Chen Weiming said: "later special effects can certainly make up some of the effects, but the earlier costumes, shapes and scenes are even more important. It's not just to show off, but to restore the real luxury of the old Shanghai in 30s, and let the audience see the eastern side of Paris. I think this investment is very valuable! I believe the audience will love the shape of the three heroes when they see the dangerous relationship, and we can also see our sincerity in making films.

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